An in-joke is being prepared for a like-minded colleague.
A culinary blowtorch is deployed to fake the miraculous appearance of Monet’s Flood Waters (1896) on a slice of toast. (2023)
Plaster, plasterboard, steel & pressure treated timber, 180 x 144cm.
(with thanks to Eva Kraljic)

A flurry of mixed signals or crossed wires or a chain of false equivalences appears to be afoot (2023) [detail]

Image copyright of the artist.

A flurry of mixed signals or crossed wires or a chain of false equivalences appears to be afoot (2023) [detail]
Photography courtesy Agnese Sanvito.

Exhibition view: Benjamin Fitton Aspirational Bucolics at LUNGLEY Gallery, London.  Image copyright of the artist.

A flurry of mixed signals or crossed wires or a chain of false equivalences appears to be afoot (2023) [detail]

Image copyright of the artist.

Left to right:

A geofenced Old English Longhorn is turning to avert her gaze from that of a passing human.
To the side is what she assumes to be the back of a friend or an associate or a coworker or something. (2023)
Plaster, plasterboard, steel & pressure treated timber, 240 x 180cm.

A photographer is no longer crouching in sparse woodland. (2023)
Plaster, plasterboard, steel & pressure treated timber, 120 x 90cm

A competitor has just disappeared, 02 (LH) (2023)
Dye sublimation on aluminium with oak frame, 59 x 34cm.

A flurry of mixed signals or crossed wires or a chain of false equivalences appears to be afoot (2023) [detail].

Image copyright of the artist.

Left to right:

A flurry of mixed signals or crossed wires or a chain of false equivalences appears to be afoot (2023) [detail].

An in-joke is being prepared for a like-minded colleague.
A culinary blowtorch is deployed to fake the miraculous appearance of Monet’s Flood Waters (1896) on a slice of toast. (2023)

Plaster, plasterboard, steel & pressure treated timber, 180 x 144cm.
(with thanks to Eva Kraljic)

Image copyright of the artist.

Exhibition view: Benjamin Fitton Aspirational Bucolics (2023) at LUNGLEY Gallery, London. 
Photography courtesy Agnese Sanvito.

Benjamin Fitton A competitor has just disappeared, 03 (LdP) (2023)
Dye sublimation on aluminium with oak frame, 59 x 34cm.


Benjamin Fitton A competitor has just disappeared, 02 (LH) (2023)
Dye sublimation on aluminium with oak frame, 59 x 34cm

Benjamin Fitton A competitor has just disappeared, 01 (CD) (2023)
Dye sublimation on aluminium with oak frame, 59 x 34cm

Exhibition view: Benjamin Fitton An apparition or an interface or a proxy or a withdrawal or a ringer or something (2021) at LUNGLEY Gallery, London. 
Image copyright of the artist.

Exhibition view: Benjamin Fitton An apparition or an interface or a proxy or a withdrawal or a ringer or something (2021) at LUNGLEY Gallery, London. 
Image copyright of the artist.

Exhibition view: Benjamin Fitton An apparition or an interface or a proxy or a withdrawal or a ringer or something (2021) at LUNGLEY Gallery, London. 
Image copyright of the artist.

Exhibition view: Benjamin Fitton An apparition or an interface or a proxy or a withdrawal or a ringer or something at LUNGLEY Gallery, London. 
Image copyright of the artist.

Scroll to Top