Aspirational Bucolics
Benjamin Fitton
20/01/2023 - 25/02/2023

PRESS RELEASE / WORKS LIST

ARTIST CV

An in-joke is being prepared for a like-minded colleague.
A culinary blowtorch is deployed to fake the miraculous appearance of Monet’s Flood Waters (1896) on a slice of toast. (2023)
Plaster, plasterboard, steel & pressure treated timber, 180 x 144cm.
(with thanks to Eva Kraljic)

A flurry of mixed signals or crossed wires or a chain of false equivalences appears to be afoot (2023) [detail]

Image copyright of the artist.

A flurry of mixed signals or crossed wires or a chain of false equivalences appears to be afoot (2023) 

An in-joke is being prepared for a like-minded colleague.
A culinary blowtorch is deployed to fake the miraculous appearance of Monet’s Flood Waters (1896) on a slice of toast. (2023)
Plaster, plasterboard, steel & pressure treated timber, 180 x 144cm.
(with thanks to Eva Kraljic)

Image copyright of the artist.

Exhibition view: Benjamin Fitton Aspirational Bucolics (2023) at LUNGLEY Gallery, London.
Image copyright of the artist.

A flurry of mixed signals or crossed wires or a chain of false equivalences appears to be afoot (2023) [detail]
Photography courtesy Agnese Sanvito.

A flurry of mixed signals or crossed wires or a chain of false equivalences appears to be afoot (2023) [detail]
Image copyright of the artist.

A flurry of mixed signals or crossed wires or a chain of false equivalences appears to be afoot (2023) [detail]

Left to right:

A geofenced Old English Longhorn is turning to avert her gaze from that of a passing human.
To the side is what she assumes to be the back of a friend or an associate or a coworker or something. (2023)
Plaster, plasterboard, steel & pressure treated timber, 240 x 180cm.

A photographer is no longer crouching in sparse woodland. (2023)
Plaster, plasterboard, steel & pressure treated timber, 120 x 90cm

A competitor has just disappeared, 02 (LH) (2023)
Dye sublimation on aluminium with oak frame, 59 x 34cm.

A flurry of mixed signals or crossed wires or a chain of false equivalences appears to be afoot (2023) [detail].

Image copyright of the artist.

Exhibition view: Benjamin Fitton Aspirational Bucolics (2023) at LUNGLEY Gallery, London.
Photography courtesy Agnese Sanvito.

Benjamin Fitton A competitor has just disappeared, 03 (LdP) (2023)
Dye sublimation on aluminium with oak frame, 59 x 34cm.

Benjamin Fitton A competitor has just disappeared, 01 (CD) (2023)
Dye sublimation on aluminium with oak frame, 59 x 34cm

Benjamin Fitton A competitor has just disappeared, 02 (LH) (2023)
Dye sublimation on aluminium with oak frame, 59 x 34cm

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