An in-joke is being prepared for a like-minded colleague.
A culinary blowtorch is deployed to fake the miraculous appearance of Monet’s Flood Waters (1896) on a slice of toast. (2023)
Plaster, plasterboard, steel & pressure treated timber, 180 x 144cm.
(with thanks to Eva Kraljic)
A flurry of mixed signals or crossed wires or a chain of false equivalences appears to be afoot (2023) [detail]
Image copyright of the artist.
A flurry of mixed signals or crossed wires or a chain of false equivalences appears to be afoot (2023)
An in-joke is being prepared for a like-minded colleague.
A culinary blowtorch is deployed to fake the miraculous appearance of Monet’s Flood Waters (1896) on a slice of toast. (2023)
Plaster, plasterboard, steel & pressure treated timber, 180 x 144cm.
(with thanks to Eva Kraljic)
Image copyright of the artist.
Exhibition view: Benjamin Fitton Aspirational Bucolics (2023) at LUNGLEY Gallery, London.
Image copyright of the artist.
A flurry of mixed signals or crossed wires or a chain of false equivalences appears to be afoot (2023) [detail]
Photography courtesy Agnese Sanvito.
A flurry of mixed signals or crossed wires or a chain of false equivalences appears to be afoot (2023) [detail]
Image copyright of the artist.
A flurry of mixed signals or crossed wires or a chain of false equivalences appears to be afoot (2023) [detail]
Left to right:
A geofenced Old English Longhorn is turning to avert her gaze from that of a passing human.
To the side is what she assumes to be the back of a friend or an associate or a coworker or something. (2023)
Plaster, plasterboard, steel & pressure treated timber, 240 x 180cm.
A photographer is no longer crouching in sparse woodland. (2023)
Plaster, plasterboard, steel & pressure treated timber, 120 x 90cm
A competitor has just disappeared, 02 (LH) (2023)
Dye sublimation on aluminium with oak frame, 59 x 34cm.
A flurry of mixed signals or crossed wires or a chain of false equivalences appears to be afoot (2023) [detail].
Image copyright of the artist.
Exhibition view: Benjamin Fitton Aspirational Bucolics (2023) at LUNGLEY Gallery, London.
Photography courtesy Agnese Sanvito.
Benjamin Fitton A competitor has just disappeared, 03 (LdP) (2023)
Dye sublimation on aluminium with oak frame, 59 x 34cm.
Benjamin Fitton A competitor has just disappeared, 01 (CD) (2023)
Dye sublimation on aluminium with oak frame, 59 x 34cm
Benjamin Fitton A competitor has just disappeared, 02 (LH) (2023)
Dye sublimation on aluminium with oak frame, 59 x 34cm