Harley Kuyck-Cohen explores the shifting territories between public and private space by introducing a range of important questions surrounding materiality.
Working across a range of different media including sculpture, architecture, installation and time based assemblages Kuyck-Cohen questions the politics of living. The home and the vernacular practices that take place from within are at the forefront of this drama.
Garden Man (2019)
Assemblage; Wood, Paint, Filler, Foam.