Harley Kuyck-Cohen
Harley Kuyck-Cohen explores the shifting territories between public and private space by introducing a range of important questions surrounding materiality.
Working across a range of different media including sculpture, architecture, installation and time based assemblages Kuyck-Cohen questions the politics of living. The home and the vernacular practices that take place from within are at the forefront of this drama.
Harley Kuyck-Cohen: St. Paul's Cathedral (2019)
Octopus (2019)
Assemblage; Wood, Paint, Filler, Foam, Feathers, Porcelain plate, Inkjet prints.
97x40x55cm
Garden Man (2019)
Assemblage; Wood, Paint, Filler, Foam.
58x24x55cm
Landscape (2019)
Assemblage; Wood, Paint, Filler, Foam.
30x35x25cm
Bills (2019)
Assemblage; Wood, Paint, Filler, Cardboard, Paper, Foam.
125x50x31cm
Sleep Landscape (2019)
Assemblage; Wood, Paint, Filler, Toy Tractor, Umbrella.
123x53x65cm
Façade (2019)
Assemblage; Wood, Paint, Filler, Foam.
40x60x80cm
Allotment (2019)
Assemblage; Concrete, Foam, Wood, Sand.
70x60x80cm
You and I Are Earth (2018)
Assemblage; Mannequinn, Clothing, Bird Spikes, Dish Cloth, Paint, Fabric, Plaster, Jemonite
170x120x90cm
Fox (2019)
Assemblage; Awning, Foam, Paint, Filler.
50x200x30cm
Shed (2018) [installation shot]
Cyanotype on Board
190x122x10cm
Shed (2018)
Cyanotype on Board
190x122x10cm
Sleeper (2019)
Assemblage; Papier-mâché, Paper Pulp, Chicken Wire, Fabric, Plastic Wrap.
45x60x80cm