Exhibition view: Harley Kuyck-Cohen St. Paul's Cathedral at LUNGLEY Gallery, London (2019).
Harley Kuyck-Cohen explores the shifting territories between public and private space by introducing a range of important questions surrounding materiality.
Working across a range of different media including sculpture, architecture, installation and time based assemblages Kuyck-Cohen questions the politics of living. The home and the vernacular practices that take place from within are at the forefront of this drama.
Exhibition view: Harley Kuyck-Cohen Allotment at Airspace Gallery, Stoke-on-Trent (2019).
© Harley Kuyck-Cohen.
Exhibition view: Harley Kuyck-Cohen Allotment at Airspace Gallery, Stoke-on-Trent (2019).
© Harley Kuyck-Cohen.
Bills (2019)
Assemblage; Wood, Paint, Filler, Cardboard, Paper, Foam, 125 cm x 50 cm x 31 cm.
Garden Man (2019)
Assemblage; Wood, Paint, Filler, Foam. 58 cm x 24 cm x 55 cm.
Octopus (2019)
Assemblage; Wood, Paint, Filler, Foam, Feathers, Porcelain plate, Inkjet prints. 97 cm x 40 cm x 55 cm.
Façade (2019)
Assemblage; Wood, Paint, Filler, Foam, 40 cm x 60 cm x 80 cm.
Allotment (2019)
Assemblage; Concrete, Foam, Wood, Sand.
70 cm x 60 cm x 80 cm.
Fox (2019)
Assemblage; Awning, Foam, Paint, Filler. 50 cm x 200 cm x 30 cm.
Shed (2018)
Cyanotype on Board, 190 cm x 122 cm x 10 cm.
Shed (2018)
Cyanotype on Board, 190 cm x 122 cm x 10 cm.
Sleeper (2019)
Assemblage; Papier-mâché, Paper Pulp, Chicken Wire, Fabric, Plastic Wrap, 45 cm x 60 cm x 80 cm.